”Kenneth Noland’s paintings were based on the simplest patterns, target, chevron and stripe. In the best of his target paintings, like Song, he could set a splashy grey rim whirling around concentric circles of red, black and blue with an airy energy that few American painters could equal. Like gigantic watercolours his targets and chevrons bloom and pulsate with light; they offer a pure, uncluttered hedonism to the eye.”
- The Shock Of The New, Robert Hughes
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Tuesday, 10th July
